|  Fast Extended Chromatic Piano Runs
  To effect (and I use the term "effect" in its literal sense) a chromatic 
          run than extends beyond an octave, I discovered that the very fastest 
          way to do an extended chromatic run is by use of controlled crushes.
 
 
 The upward extended chromatic glissando effect is fingered in this 
          way:
 
 
          
             
              | 1 | 2 | 2 | 3 | 3 |    | 1 | 2 | 2 | 3 | 3 | 4 | 4 | etc | etc |   
              | C | C# | D | D# | E |     | F | F# | G | G# | A | A# | B | etc | etc |       The downward extended chromatic scale effect is fingered in this 
          way:
 
  
          
             
              | 4 | 4 | 3 | 3 | 2 | 2 | 1 |    | 3 | 3 | 2 | 2 | 1 | etc | etc |   
              | Bb | A | Ab | G | Gb | F | E |    | Eb | D | Db | C | B | etc | etc |   
 (the above glissandi can begin or end on any note, but the fingerings 
          will remain the same)
 
 
 Care should be taken in this trick that each note should receive equal 
          value (as it is very easy to get sloppy when executing  these chromatic 
          runs). This will require a bit of practice surely.
 
 It should also be noted that evenness of touch between the black keys 
          and white keys is easier on a real piano with wooden black keys than 
          on a keyboard with plastic black keys as wood is much less slippery.
 
 
 You may hear me executing my chromatic glissando technique in the introduction 
          to this song:
 
 Georgia 
          - Arr: JBrent.mp3
   
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